A bright tune to soothe a party’s wounds… A brisk march to raise a party’s spirits… A forbidden chant to weaken a party’s foes… Bards use music as their weapon. A bard is the quintessential entertainer, blessed with musical skills that are the envy of all others. Their songs and inspirations often protect their allies from harm, heal wounds, and inspired them to do great things. Untold wonders and secrets exist for those skillful enough to discover them. Through cleverness, talent, and magic, these cunning few unravel the wiles of the world, becoming adept in the arts of persuasion, manipulation, and inspiration.
Role: Bards capably confuse and confound their foes while inspiring their allies to ever-
Hit Die: d8
Starting Wealth: 3d6 × 10 gil (average 105 gil.) In addition, each character begins play with an outfit worth 10 gil or less.
The bard’s class skills (and the key ability for each skill) are Acrobatics (Dex), Appraise (Int), Bluff (Cha), Climb (Str), Craft (Int), Diplomacy (Cha), Disguise (Cha), Escape Artist (Dex), Intimidate (Cha), Knowledge (all) (Int), Linguistics (Int), Perception (Wis), Perform (Cha), Profession (Wis), Sense Motive (Wis), Sleight of Hand (Dex), Spellcraft (Int), Stealth (Dex), and Use Magic Device (Cha).
Skill Points Per Level: 6 + Int modifier
Class Main Ability Scores:
The bard mainly focuses on DEX for martial combat and CHA for their class features and songs.
All of the following are class features of the bard.
Weapon and Armor Proficiency
A bard is proficient with all simple weapons, plus the longsword, rapier, sap, short sword, shortbow, and whip. Bards are proficient with light armor but not with any shields.
Because the somatic components required for bard songs are relatively simple, a bard can perform songs while wearing light armor without incurring the normal song failure chance. However, like mages, a bard wearing medium or heavy armor or using a shield incurs a chance of song failure.
Limit Breaks (Su)
At 1st level, the bard receives the Limit Breaks (Siren’s Song and Soul Voice).
Siren’s Song (Su): This Limit Break causes the bard to enhance his songs beyond normal. For a duration of 1 round +1 round per four bard levels after 1st, every numeric variable of 1 song is increased by 1 + 1 per four bard levels after 1st. This limit break requires only a swift action.
Soul Voice (Su): This Limit Break allows the bard to be able perform songs with perfect efficiency. For a duration of 1 round + 1 round per four bard levels after 1st, the bard can select one song each round started and performed during the limit break that has all variables and effects maximized and doubled. This limit break requires only a swift action.
A bard performs songs from his songbook, in which are drawn from the bard song list. Unlike mages, bards keep a written account of his songs in his songbook. A bard begins play with 3 1st level bard songs of his choice. The bard also selects a number of additional 1st-level songs equal to his Charisma modifier to add to his songbook. Each time a character attains a new bard level, he gains two songs of his choice to add to his songbook. The two free songs must be of song levels he can perform. But like mages, the bard can also purchase songs for his songbook.
To learn or perform a song, a bard must have a Charisma score equal to at least 10 + the song level (Cha 11 for 1st-
Performing a song provokes an attack of opportunity and require concentration checks as if they were spells. All songs have a duration of one round + the bard’s Charisma modifier and are dismissible with a standard action that does not provoke attacks of opportunity. The bard may do other things while the song duration is in effect, including other songs to a maximum allowed by their Medley ability and only 1 song per round. Most songs have a radius of 30 feet, centered on the bard, unless otherwise stated.
Bards learn a number of jingles, or 0-
Musical Power (Su)
Starting at 1st level, a bard can empower and use any musical instrument or performance skill as a weapon.
Using their ranks in the associated performance skill (perform (strings) for a harp) in place of their Base Attack Bonus, the bard can, as a standard action, make a ranged touch attack against a foe within 25 feet + 5 feet per two bard levels. This attack deals non-elemental damage equal to 1d4 + his Charisma modifier.
Any instrument wielded by the bard can be enchanted as if they were a ranged weapon, applying any enhancement/enchantment onto this attack.
Rolling a natural 1 with an instrument causes it to gain the broken condition, receiving a -2 penalty on attack rolls and halving the bard’s skill bonus to Perform checks with that instrument. With an hour’s worth of work, a bard can repair a single instrument with the broken condition.
Bardic Performance (Su)
A bard is trained to use the Perform skill to create magical effects on those around him, including himself if desired. He can use this ability for a number of rounds per day equal to 4 + his Charisma modifier. At each level after 1st a bard can use bardic performance for 2 additional rounds per day. Each round, the bard can produce any one of the types of bardic performance that he has mastered, as indicated by his level.
Starting a bardic performance is a standard action, but it can be maintained each round as a free action. Changing a bardic performance from one effect to another requires the bard to stop the previous performance and start a new one as a standard action. A bardic performance cannot be disrupted, but it ends immediately if the bard is killed, paralyzed, stunned, knocked unconscious, or otherwise prevented from taking a free action to maintain it each round. A bard cannot have more than one bardic performance in effect at one time.
At 7th level, a bard can start a bardic performance as a move action instead of a standard action. At 13th level, a bard can start a bardic performance as a swift action.
Each bardic performance has audible components, visual components, or both.
If a bardic performance has audible components, the targets must be able to hear the bard for the performance to have any effect, and such performances are language dependent. A deaf bard has a 20% chance to fail when attempting to use a bardic performance with an audible component. If he fails this check, the attempt still counts against his daily limit. Deaf creatures are immune to bardic performances with audible components.
If a bardic performance has a visual component, the targets must have line of sight to the bard for the performance to have any effect. A blind bard has a 50% chance to fail when attempting to use a bardic performance with a visual component. If he fails this check, the attempt still counts against his daily limit. Blind creatures are immune to bardic performances with visual components.
List of Bardic Performances:
Countersong (Su): At 1st level, a bard learns to counter magic effects that depend on sound (but not spells that have verbal components.) Each round of the countersong he makes a Perform (keyboard, percussion, wind, string, or sing) skill check. Any creature within 30 feet of the bard (including the bard himself) that is affected by a sonic or language-
Distraction (Su): At 1st level, a bard can use his performance to counter magic effects that depend on sight. Each round of the Distraction, he makes a Perform (act, comedy, dance, or oratory) skill check. Any creature within 30 feet of the bard (including the bard himself) that is affected by an illusion magical attack may use the bard’s Perform check result in place of its saving throw if, after the saving throw is rolled, the Perform check result proves to be higher. If a creature within range of the Distraction is already under the effect of a non-
Fascinate (Su): At 1st level, a bard can use his performance to cause one or more creatures to become fascinated with him. Each creature to be fascinated must be within 90 feet, able to see and hear the bard, and capable of paying attention to him. The bard must also be able to see the creatures affected. The Distraction of a nearby combat or other dangers prevents the ability from working. For every three levels a bard has attained beyond 1st, he can target one additional creature with this ability. Each creature within range receives a Will save (DC 10 + half the bard’s level + his Charisma modifier) to negate the effect. If a creature’s saving throw succeeds, the bard cannot attempt to fascinate that creature again for 24 hours. If its saving throw fails, the creature sits quietly and observes the performance for as long as the bard continues to maintain it. While fascinated, a target takes a –4 penalty on skill checks made as reactions, such as Perception checks. Any potential threat to the target allows the target to make a new saving throw against the effect. Any obvious threat, such as someone drawing a weapon, casting a spell, or aiming a weapon at the target, automatically breaks the effect. Fascinate is a mind-affecting ability. Fascinate relies on audible and visual components in order to function.
Inspire Courage (Su): A 1st level bard can use his performance to inspire courage in his allies (including himself), bolstering them against fear and improving their combat abilities. To be affected, an ally must be able to perceive the bard’s performance. An affected ally receives a +1 morale bonus on saving throws against charm and fear effects and a +1 competence bonus on attack and weapon damage rolls. At 5th level, and every six bard levels thereafter, this bonus increases by +1, to a maximum of +4 at 17th level. Inspire courage is a mind-affecting ability. Inspire courage can use audible or visual components. The bard must choose which component to use when starting his performance.
Inspire Competence (Su): A bard of 3rd level or higher can use his performance to help an ally succeed at a task. The ally must be within 30 feet and able to see and hear the bard. The ally gets a +2 competence bonus on skill checks with a particular skill as long as he continues to hear the bard’s performance. This bonus increases by +1 for every four levels the bard has attained beyond 3rd (+3 at 7th, +4 at 11th, +5 at 15th, and +6 at 19th). Certain uses of this ability are infeasible, such as Stealth, and may be disallowed at the GM’s discretion. A bard can’t inspire competence in himself. Inspire competence relies on audible components.
Suggestion (Sp): A bard of 6th level or higher can use his performance to make a suggestion (as per the spell) to a creature that he has already fascinated (see above). Using this ability does not disrupt the fascinate effect, but it does require a standard action to activate (in addition to the free action to continue the fascinate effect). A bard can use this ability more than once against an individual creature during an individual performance. A Will saving throw (DC 10 + half of the bard’s level + his Charisma modifier) negates the effect. This ability affects only a single creature (but see mass suggestion, below). Suggestion is an enfeebling (compulsion), mind-affecting, language-dependent ability and relies on audible components.
Dirge of Doom (Su): A bard of 8th level or higher can use his performance to foster a sense of growing dread in his enemies, causing them to take become shaken. To be affected, an enemy must be within 30 feet and able to see and hear the bard’s performance. The effect persists for as long as the enemy is within 30 feet and the bard continues the performance. The performance cannot cause a creature to become frightened or panicked, even if the targets are already shaken from another effect. Dirge of doom is a mind-affecting fear effect, and it relies on audible and visual components.
Inspire Greatness (Su): A bard of 9th level or higher can use his performance to inspire greatness in himself or a single willing ally within 30 feet, granting extra fighting capability. For every three levels a bard attains beyond 9th, he can target one additional ally while using this performance (up to a maximum of four at 18th level). To inspire greatness, all of the targets must be able to see and hear the bard. A creature inspired with greatness gains 2 bonus Hit Dice (d10s), the commensurate number of temporary hit points (apply the target’s Constitution modifier, if any, to these bonus Hit Dice), a +2 competence bonus on attack rolls, and a +1 competence bonus on Fortitude saves. The bonus Hit Dice count as regular Hit Dice for determining the effect of spells that are Hit Dice dependent. Inspire greatness is a mind-affecting ability and it relies on audible and visual components.
Soothing Performance (Su): A bard of 12th level or higher can use his performance to create an effect equivalent to the cura spell, using the bard’s level as the caster level. In addition, this performance removes the fatigued, sickened, and shaken condition from all those affected. Using this ability requires 4 continuous performance, and the targets must be able to see and hear the bard throughout the performance. Soothing performance relies on audible and visual components.
Frightening Tune (Sp): A bard of 14th level or higher can use his performance to cause fear in his enemies. To be affected, an enemy must be able to hear the bard perform and be within 30 feet. Each enemy within range receives a Will save (DC 10 + half of the bard’s level + his Charisma modifier) to negate the effect. If the save succeeds, the creature is immune to this ability for 24 hours. If the save fails, the target becomes frightened and flees for as long as the target can hear the bard’s performance. Frightening tune relies on audible components. This is a fear effect.
Inspire Heroics (Su): A bard of 15th level or higher can inspire tremendous heroism in himself or a single ally within 30 feet. For every three bard levels the character attains beyond 15th, he can inspire heroics in one additional creature. To inspire heroics, all of the targets must be able to see and hear the bard. Inspired creatures gain a +4 morale bonus on saving throws and a +4 dodge bonus to AC. The effect lasts for as long as the targets are able to witness the performance. Inspire heroics is a mind-affecting ability that relies on audible and visual components.
Funeral Ballad (Su): Once per day, a bard of 18th level or higher can use his performance to create an effect equivalent to Arise on a dead creature, using the bard’s level as the caster level. Using this ability requires 10 rounds of continuous performance, and the target must be within 10 feet of the bard for the entire performance. Funeral ballad relies on audible and visual components.
Deadly Performance (Su): A bard of 20th level or higher can use his performance to cause one enemy to die from joy or sorrow. To be affected, the target must be able to see and hear the bard perform for 1 full round and be within 30 feet. The target receives a Will save (DC 10 + half of the bard’s level + his Charisma modifier) to negate the effect. If a creature’s saving throw succeeds, the target is dazed for 1d4 rounds, and the bard cannot use deadly performance on that creature again for 24 hours. If a creature’s saving throw fails, it dies. Deadly performance is a mind-affecting death effect that relies on audible and visual components.
At 2nd level, the bard becomes resistant to the bardic performance of others, and to sonic effects in general. The bard gains a +4 bonus on saving throws made against bardic performance, sonic, and language-dependent effects.
Versatile Performance (Ex)
At 2nd level, a bard can choose one type of Perform skill. He can use his bonus in that skill in place of his bonus in associated skills. When substituting in this way, the bard uses his total Perform skill bonus, including class skill bonus, in place of its associated skill’s bonus, whether or not he has ranks in that skill or if it is a class skill. At 6th level, and every 4 levels thereafter, the bard can select an additional type of Perform to substitute.
The types of Perform and their associated skills are: Act (Bluff, Disguise), Comedy (Bluff, Intimidate), Dance (Acrobatics, Fly), Keyboard Instruments (Diplomacy, Intimidate), Oratory (Diplomacy, Sense Motive), Percussion (Handle Animal, Intimidate), Sing (Bluff, Sense Motive), String (Bluff, Diplomacy), and Wind (Diplomacy, Handle Animal).
Song Talents (Ex or Su)
As a bard gains experience, he learns a number of talents that assist him in manipulating his songs and class features. At 2nd level and every two levels thereafter, a bard gains one song talent. A bard cannot select an individual talent more than once. Talents marked with an asterisk add effects to a bard’s song-performing ability. Only one of these talents can be applied to an individual song and the decision must be made before the song is performed.
- A complete list of song talents can be found here: Song Talents
During battle, the bard exhorts his comrades with words of courage and determination. This inspiration affects all allies within a 30-
Wide Audience (Su)
At 4th level, a bard can choose to affect a 60-foot cone instead of a 30-foot radius with bardic performances that affect an area. In addition, for every four levels beyond 4th, the area of such powers is increased by 10 feet (radius) or 20 feet (cone). If the power instead affects multiple creatures, it affects one additional creature than normal for every four levels beyond 4th. This does not affect powers that affect only a single creature.
Starting at 5th level, a bard can perform a medley, allowing him to perform two songs at once. At 10th level, the bard can perform three songs and at 20th level, the bard can perform four songs. A Perform check is needed for each additional song (DC 15 + double the song’s level), with a +4 to the perform DC for each song after the first, for a max of +12 for a fourth song. The bard loses the song if he fails his respective Perform check.
Additionally, all equivalent level or lower songs that are part of the medley have their durations refreshed on a successful Perform check using this feature. Once a bard achieves the maximum allotment of songs allowed by Medley, the bard may substitute any songs currently in effect with a new song on a successful Perform check using this feature. The bard may start these songs in subsequent rounds, but not in the same round.
Clear Mind (Ex)
At 5th level, a bard can regain his MP quicker. The bard must be relaxed and must be free from overt distractions, such as combat raging nearby or other loud noises. For example, he could be riding in the back of a carriage and benefit from this ability. The bard does not gain this recovery if he is asleep or unconscious. The bard regains 1 MP per hour. This increases by 1 for every five bard levels after 5th.
Skilled Performer (Ex)
The rattling nerves and jitteriness is long gone, replaced by a calm serenity that allows the bard to play his best music. He gains 5 bonus skill points to any Perform skill at 7th level; this value increases to 10 at 13th level and 15 at 19th level. The bard may distribute the skill points however he wants among his Perform skills.
Advanced Song Talents (Ex or Su)
At 12th, and every two levels thereafter, a bard learns further talents to assist him in manipulating his songs and class features. He may choose one of the following advanced song talents in place of a song talent. Talents marked with an asterisk add effects to a bard’s song-performing ability. Only one of these talents can be applied to an individual song and the decision must be made before the song is performed.
- A complete list of advanced song talents can be found here: Advanced Song Talents
Can’t Stop My Performance (Ex)
At 13th level, a bard becomes immune to all silence and blind spells and effects.
Unstoppable Performance (Ex)
At 16th level, a bard can affect deaf and blind creatures with his bardic performances without penalty.
Master Bard (Su)
At 20th level, a bard becomes a master of the bardic arts. The DCs of all songs and bardic performances are increased by 2. In addition, once per day, a bard can double the effects of a single minor and major aura for a number of rounds equal to his Charisma modifier.
Favored Class Bonuses
Instead of receiving an additional skill rank or hit point whenever they gain a level in a favored class, some races have the option of choosing from a number of other bonuses, depending upon their favored classes. The following options are available to the listed race who have bard as their favored class, and unless otherwise stated, the bonus applies each time you select the listed favored class reward.
- Burmecian: Increase the bonus provided by the bard’s inspire competence performance by 1/6, and add 1/6 to the number of allies the bard can affect with his inspire greatness performance.
- Dwarf: Reduce spell failure chance for performing bard songs when wearing medium armor by +1%. Once the total reaches 10%, the bard also receives Medium Armor Proficiency, if he does not already possess it.
- Elvaan: Add +1 to the bard’s CMD when resisting a disarm or sunder attempt.
- Galka: Add +1 to the bard’s total number of bardic performance rounds per day.
- Gria: Add +1 to the bard’s CMD when resisting a disarm or sunder attempt.
- Half-Breed: Add +1 to the bard’s total number of bardic performance rounds per day.
- Hume: Add one song from the bard song list to the bard’s songbook. This song must be at least one level below the highest song level he can perform.
- Hypello: Add +1/6 to the DC of all songs.
- Lamia: Add +1 to the bard’s total number of bardic performance rounds per day.
- Mithra: Add a +1/2 bonus on Bluff checks to lie and a +1/2 bonus on Diplomacy checks to gather information.
- Moogle: Add +1/6 to the bonus provided by the bard’s inspire courage bardic performance.
- Namazu: Treat the bard’s level as +1/2 level higher for the purpose of determining the effect of the fascinate bardic performance.
- Sylph: Add +1 to the bard’s total number of bardic performance rounds per day.
- Tarutaru: Add +1 to the bard’s total number of bardic performance rounds per day.
- Varg: Add +1/6 to the bonus provided by the bard’s inspire courage bardic performance.
- Viera: Add +1 to the bard’s CMD when resisting a disarm or sunder attempt.
- Yagudo: Add +1 to the bard’s CMD when resisting a disarm or sunder attempt.
- A complete list of bard archetypes can be found here: Bard Archetypes